Parisian shoe designer Christian Louboutin has some advice for people: decrease.
“I always design flat shoes and that i love them, but high heels create a woman a lot more aware of her body,” he says.
Inside a fast-paced world with people always rushing, christian louboutin australia says he likes stuff that make people decelerate.
“If you walk across the road slowly, maybe someone will pick you up,” he says having a laugh along with a twinkle within his eye. “That doesn’t happen when you are walking around.”
The designer’s cheeky, relaxed attitude shines through. He often delights Hong Kong fans with chatty shoe signings and parties. Notably unpretentious, while the majority of the fashion elite are increasingly being chauffeured around in shiny black cars for fashion week, Louboutin is seen zipping between Paris shows on his little moped.
At 54, he has turned his desire for se-xy footwear in to a global empire, encompassing not only men’s and women’s shoes, but bags, accessories and beauty, nail varnish and, recently, perfume.
His notion of women’s beauty arises from rebelling against the naturalism so well liked in 1970s France when he was being raised. Along with those early stiletto heels that have been just coming into vogue during the early ’90s, was able to draw on a new sense of fragility and power in feminine glamour. It’s with similar attitude that he’s created his beauty and perfume range.
He is clad in deep red, the signature hue of his famous soles, and wearing two-colour lace-up brogues from his men’s line, which contains found popularity in Asia.
“If you gaze at busts of Nefertiti, she actually is gorgeous, she has this skin that’s not white, nor black. Your eyes are huge, the eyebrows are very well drawn. She’s so striking. It’s not really a natural look. Nevertheless I like this kind of beauty – that timelessness on this dramatic beauty over thousands of years.”
Like a child growing up within the ’70s in France, when actresses and actors “were all grumpy”, that trend to be “super natural, without make-up, flat shoes, dirty clothes and being quite grungy; when everything was linked to femininity was badly considered”, didn’t sit well with Louboutin.
“I never understood why femininity was related to stupidity in France then. I never accepted that. It didn’t mean something to me, this preconceived idea.”
It was actually female performers and musicians that basically started to change the mould, he recalls: “First Blondie, then this likes of Tina Turner and Madonna, who showed that glamour could be empowering for females.
“From what I remember, I’ve been designing shoes from age 12 or 13. It didn’t really occur to me as a job at the time, I found myself just always obsessed and louboutin melbourne, this is because very easy,” he says.
The shoe obsession started after he visited a museum close to his parent’s Parisian apartment, with beautiful parquet flooring. Around the wall there seemed to be a poster of any high-heeled shoe from your ’50s and yes it was crossed in red, which means high heels were forbidden to shield the floor.
“I was thinking just what a stupid and strange high thin heel,” he adds, “this is in the ’70s, so that we didn’t actually have shoes that way. This went into my head and so i did start to sketch nervously.”
His first passion was always showgirls and cabaret, and after being expelled from several schools (“typical teenager stuff, nothing too serious”) Louboutin ended up operating in a cabaret at age of 17.
“I desired to do something for showgirls so that as I used to be sketching shoes all the time, I position the two together and also this was my first job. I might come and have a different drawing for every single dancer … it was a very good way beginning to understand shoes as a result of movement.
“I always did everything by accident. I call it a happy accident. It’s hard to decide for yourself what your daily life is going to be. When you are obsessed with what your way of life needs to be, I do believe it will probably be tough,” he says.
It had been a humble start, with little pay, and also the young designer soon searched for more formal training. He cold-called the house of Christian Dior and audaciously required to talk with “the 61dexjpky director”. Within a story that is now component of fashion history, Dior’s director of haute couture acquired the cell phone and consented to a gathering to examine this unknown young man’s designs. She was impressed and arranged a training task for him on the Charles Jourdan factory outside Paris.
During early 1992, Louboutin had started his very own label in the shop beside an incredible gallery. Business was swift and simple, since passing foot traffic from the gallery included “fine arts and antique dealers and customers”.
That business flourished and converted into a global empire over more than two decades. His designs have already been much coveted and referenced in films and songs; and today, he remains just about the most copied show designers in China. Cue multiple collaborations, celebrity fans, soaring sales and a bag range. Louboutin made one of the most of his bold and quite often outrageous aesthetic.
Now, with stores worldwide, buy louboutins doesn’t show any signs of decreasing.
For many his commercial success, the organic path of Louboutin’s career is pretty astounding. And extremely difficult had he started off in today’s realm of fashion.
Even iconic red lacquered sole (a brandname signature for which he fought versus the Yves Saint Laurent house in US courts) came as another (almost) happy accident.
“In 1992 part of my collection was inspired by pop art, Andy Warhol and all that. It absolutely was bright colours for your lining, the heel … I needed a shock of colours.
“When the very first prototype came, it looked good but not quite right. I found myself studying the shoe, and i also looked underneath at the sole and thought, that’s a lot of black on the shoe packed with colour. My assistant Sara was painting her nails in the room at the time, and that i grabbed the nail polish and I said I wish to try something began painting the sole. It looked perfect – much like the essence of my sketch.”
It was an easy move to colour the soles so brightly, but in footwear during the time, a progressive one. Today, the flash of the red sole on some heels like a woman walks away is part of the fashion vocabulary.